{"title":"Brands|Wave Arts","description":"","products":[{"product_id":"wave-arts-master-restoration-suite-download","title":"Wave Arts Master Restoration Suite 6 (Download)","description":"Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give high-quality results with minimal tweaking, hence they sound great and are easy to use.\u003cp\u003e\nThe Suite includes:\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMR Noise 6\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MRN6.png\"\u003e\u003c\/center\u003e\u003cbr\u003e\nMR Noise is a broadband noise reduction processor. It distinguishes itself by being both great sounding and incredibly easy to use. Like most noise reduction systems, MR noise works in the frequency domain, and requires that the noise spectrum be learned before noise reduction can commence. If your track starts with a bit of silence then MR Noise will work right out of the box, since by default MR Noise has the Learn parameter enabled, then when you hit play, MR Noise will learn the noise  profile and start noise reduction. The default parameters work extremely well for most cases. One of our reviewers thought something was wrong because they opened up MR Noise and the noise vanished – and they didn’t have to do anything.\u003cp\u003e  \tWhen designing MR Noise, we spent considerable effort researching and experimenting with existing noise reduction algorithms. MR Noise combines the best of these with some new innovations, especially our Auto Dynamics mode. This mode automatically adjusts the attack and release times of the noise reduction processor based upon the amount of transients in the input signal. This minimizes artifacts in the noise reduction processing while maintaining sharp transients that would normally be smeared by other methods.\u003c\/p\u003e\n\u003cp\u003e  \tThe user interface makes it a snap to see and hear what is going on.  The frequency response display shows the spectrum of the input signal, noise floor, and output signal so you can see at a glance what frequencies are being reduced. A monitor feature allows you to hear the noise that is being removed (with separate volume control). For most cases you simply have to select a preset and hit play, MR Noise will learn the floor and start reduction. Then you can simply adjust the Amount control to set the amount of reduction. For super fine tweaking, the noise floor and all the reduction parameters can be edited as a function of frequency by dragging control points on the frequency response display.\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMR Hum 6\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MRH6.png\"\u003e\u003c\/center\u003e\u003cbr\u003eCombining hum removal, buzz removal, brickwall filtering, and spectrum analysis into one easy to use plug-in, MR Hum is the perfect tool to clean up recordings with any sort of hum or nasty buzz.\u003cp\u003eThe hum removal section works by applying a set of notch filters spaced at multiples of the fundamental hum frequency, usually 60 Hz or 50 Hz. You select the fundamental frequency, the number of harmonics you  want to eliminate (up to 10), and the width of the notches (the default  works fine). There are presets for the usual cases of 60 Hz hum and 50 Hz hum. You can also select any fundamental frequency continuously from 20 to 200 Hz. Sometimes it’s necessary to use a slightly different frequency in cases where the hum has been recorded on analog tape and played back on a different machine, which will cause the hum frequency to change.\u003c\/p\u003e\n\u003cp\u003eThe high resolution spectrum display makes it easy to see the hum frequency and the number of harmonics that are required. The spectrum display can run before processing, to see the input signal spectrum, or after processing, to see the output signal spectrum. The monitor feature  allows you to hear the signal being removed, offering another way to set the parameters.\u003c\/p\u003e\u003cp\u003eMR Hum contains a separate processor for buzz. Buzz is a periodic signal with frequency harmonics through the entire audible spectrum, which would require hundreds of notch filters to eliminate. The buzz algorithm uses a different approach which is far more efficient. Often buzz is a nasty case of hum, and hence is at 50 or 60 Hz, but sometime buzz is caused by a motor or some other kind of interference, hence the buzz processor allows any frequency from 20 to 200 Hz.\u003c\/p\u003e\n\u003cp\u003eFinally MR Hum also provides brickwall filters to eliminate low or high frequency interference.\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMR Click 6\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MRC6.png\"\u003e\u003c\/center\u003e\u003cbr\u003eMR Click combines click and crackle filtering for cleanup of phonograph recordings or other impulsive contamination. MR Click has separate processors for clicks and crackles because of the different nature of the contaminants. We use the term “click” to mean a large disturbance, such as caused by a phonograph scratch or a splice in a digital signal. The click processor automatically detects clicks and reconstructs the audio signal in the neighborhood of the click to eliminate it. We use the term “crackle” to mean the high frequency scratchiness you get from dust or wear in the grooves of a phonograph. The crackle processor automatically detects crackle and eliminates it by  smoothing the signal in the neighborhood of the crackle event. The crackle processor also contains an onset detector that will inhibit de-crackling the onset of events like snare hits or cymbal crashes.\u003cp\u003eMR Click has a scrolling time display that shows all the click and crackle events detected, so you can easily adjust the detection thresholds. There is also a monitor feature to hear the removed clicks and crackles.\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMR Gate 6\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MRG6.png\"\u003e\u003c\/center\u003e\u003cbr\u003eMR Gate is a full featured expander\/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the  input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the  foreground.\u003cp\u003e\n\u003cstrong\u003eMaster Restoration 6\u003c\/strong\u003e\u003cbr\u003eThe all-in-one cleanup tool!\u003c\/p\u003e","brand":"Xchangemarket","offers":[{"title":"Default Title","offer_id":46238388060446,"sku":"1035-18","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0800\/4435\/9966\/products\/mrsuite_l.jpg?v=1692306546"},{"product_id":"wave-arts-power-suite-6-download","title":"Wave Arts Power Suite 7 with FREE! Avid Pro Tools Subscription for Students \u0026 Teachers (Download)","description":"\u003cp\u003eCovering the essential aspects of sound design, our critically acclaimed audio plug-ins feature outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.\u003c\/p\u003e\n\u003cp\u003ePower Suite 7 plug-ins run within most MacOS (AU\/VST3\/AAX) or Windows (VST2\/VST3\/AAX) based music production or audio editing application.\u003c\/p\u003e\n\u003ccenter\u003e\u003ciframe title=\"Wave Arts Power Suite 7\" src=\"https:\/\/www.youtube.com\/embed\/LPRj-g0UDgE\" height=\"400\" width=\"700\"\u003e\u003c\/iframe\u003e\u003c\/center\u003e\n\u003cp\u003ePower Suite 7 consists of the following plug-ins:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrackPlug:\u003c\/strong\u003e the ultimate channel strip plug-in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMasterVerb:\u003c\/strong\u003e silky smooth multi-algorithm reverb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinalPlug:\u003c\/strong\u003e mastering peak limiter and loudness compliance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultiDynamics:\u003c\/strong\u003e multi-band dynamics control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePanorama:\u003c\/strong\u003e 3D binaural processor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePower Suite 7 features native support for Apple Silicon, scalable user interfaces, support for high DPI displays, optional information tips display, A\/B edit buffers and infinite undo, serial number or iLok licensing, built-in preset management.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eComponents:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrackPlug 7:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/TrackPlug7.jpg\" width=\"700\"\u003e\u003c\/center\u003e\n\u003cp\u003ePerfect for professionals and audio enthusiasts alike, TrackPlug 7 integrates essential tools, including a gate, compressor, 10-band equalizer, transient shaper, tube saturator, and peak limiter. Most modules provide extensive visual feedback, enabling users to monitor and adjust with precision.\u003c\/p\u003e\n\u003cp\u003eTrackPlug 7 simplifies complex audio tasks with its intuitive, user-friendly layout and a powerful toolkit for precise sound control. Among its core features, the gate tool allows users to suppress background noise effectively by adjusting threshold and ratio interactively. The compressor provides optimal dynamic control through flexible sidechain modes and a built-in sidechain equalizer, along with realtime gain reduction visualization that enhance precision during compression. For frequency adjustments, TrackPlug 7 includes a comprehensive 10-band equalizer equipped with parametric, shelf, analog shelf, and notch filters, and brickwall lowpass and highpass filters with variable slope. The EQ module offers real-time spectrum displays, stereo-linked and mid-side processing, and an expanded view that allows for meticulous adjustments. The sophisticated EQ matching feature automates the often complex process of EQ matching between tracks. The transient processor is ideal for shaping attack and sustain elements, making it easy to create punchy, dynamic percussion and emphasize transient details within a mix. Adding further sonic character, TrackPlug 7’s tube saturator brings analog warmth and harmonic richness to digital audio, producing a classic, natural sound. The plugin offers customizable routing flexibility, allowing users to rearrange modules to fit their specific audio needs, along with advanced metering options that support the K-meter system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMasterVerb 7:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MV7.png\" width=\"700\"\u003e\u003c\/center\u003e\n\u003cp\u003eWave Arts MasterVerb 7 is a powerful reverb plugin designed to create pristine-sounding spaces. It features two distinct algorithms – Hall and Plate – allowing for the recreation of a wide range of acoustic environments, from intimate rooms to expansive concert halls and dense plate reverbs, all with silky-smooth decays free from artifacts. With independent controls for early reflections and late reverberation, including adjustable size, decay time, and dual 3-band EQs, MasterVerb offers extensive flexibility for shaping the reverb's character. Its intuitive graphical interface, including a 3D frequency response plot, makes it easy to visualize and fine-tune settings. It includes a ducker to increase clarity of foreground sounds, an envelope processor to create gated and reverse reverb effects, and beat synchronized delay times.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinalPlug 7:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/FP7p04.png\" width=\"700\"\u003e\u003c\/center\u003e\n\u003cp\u003eFinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering, making it an ideal plugin for audio mastering. It can be used as an insert effect to provide limiting for gain staging or volume maximization. Additionally, FinalPlug can be placed at the end of your mastering chain to ensure your audio meets loudness and true peak delivery requirements, making it a crucial component for achieving professional audio standards.\u003c\/p\u003e\n\u003cp\u003eThe FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.\u003c\/p\u003e\n\u003cp\u003eTo meet loudness and true peak delivery standards, select the \"Analyze\" preset and then select a delivery target specification. This sets up the integrated loudness and true peak target levels. Then play your session. The integrated loudness and true peak levels are displayed as the music plays, and will be colored orange if they exceed the target levels. At the end of playback, click MATCH. This sets the limiter parameters to meet the target specification. Playing the session again will yield the desired integrated loudness level without exceeding the true peak level. You can now export your compliant audio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiDynamics 7:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/MD7_2023-05-25-211323_jsna.png\" width=\"700\"\u003e\u003c\/center\u003e\n\u003cp\u003eMultiDynamics is a versatile multi-band dynamics plugin that offers powerful capabilities for mastering, track processing, sound design, and noise reduction. Each of MultiDynamics' six bands can be individually configured for compression or expansion\/gating, providing precise control over your audio. Whether you're looking to enhance the clarity of individual tracks or achieve a polished, professional sound during mastering, MultiDynamics is a valuable tool in any audio engineer's arsenal.\u003c\/p\u003e\n\u003cp\u003eMultiband dynamics processing combines the techniques of equalization and dynamics processing, but is more powerful than a static equalizer or a single band dynamics processor. Multiband dynamics processing combines the techniques of equalization and dynamics processing, but is more powerful than a static equalizer or a single band dynamics processor. Below are some of the possible ways to use MultiDynamics:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency-Dependent Dynamics: A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. For example, you may want to compress the vocals in a mix without affecting the low frequencies (bass, kick drum) or high frequencies (snare, cymbals). This is easily done by creating a midrange band to cover the vocal range and setting it to compress.\u003c\/li\u003e\n\u003cli\u003eLevel-Dependent EQ: You can also think of multiband dynamics as providing EQ which is dependent on the level of the input sound. For example, you might want to brighten the sound of a high hat, but only when the drums are played softly. This can be accomplished by setting up a high frequency band that increases gain when the input is below threshold. This is more powerful than using a shelving EQ which will change the tonal balance at all levels equally.\u003c\/li\u003e\n\u003cli\u003eNoise Reduction: nother powerful use of MultiDynamics is noise reduction. This is accomplished using multiple gating bands where the thresholds are set just above the ambient noise level. MultiDynamics excels at de-noising and doesn't suffer from artifacts typical of FFT-based de-noisers.\u003c\/li\u003e\n\u003cli\u003eDucking: You can use MultiDynamics to duck music behind narration so the foreground dialog stays intelligible when mixed with the background music. Using a multiband processor allows the music to be ducked only in the frequency ranges where there is dialog energy, which makes for a more transparent effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's New in MultiDynamics 7:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll new interface with dark theme.\u003c\/li\u003e\n\u003cli\u003eNow supports extensive sidechain capability. Each dynamics band can be driven from the input signal or an external sidechain input. You can also specify wide-band or band-filtered signal, or select either the input or external signal filtered by a separate sidechain EQ. Hence you can drive one frequency band based on the signal from another frequency band.\u003c\/li\u003e\n\u003cli\u003eNew Learn feature automatically sets band thresholds to detected peak or RMS levels.\u003c\/li\u003e\n\u003cli\u003eA peak limiter has been added to the output processing.\u003c\/li\u003e\n\u003cli\u003eInput meters and an input gain control have been added.\u003c\/li\u003e\n\u003cli\u003eUser selectable display ranges for dynamics gain and input levels. New metering section with options for peak, peak \u0026amp; RMS, RMS, and K-system meters.\u003c\/li\u003e\n\u003cli\u003eRealtime spectrum display with many options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePanorama 7:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cimg src=\"https:\/\/s3.us-east-1.amazonaws.com\/wavearts-cms\/products\/PN7_default.jpg\" width=\"700\"\u003e\u003c\/center\u003e\n\u003cp\u003ePanorama is an advanced virtual acoustics plugin that delivers exceptionally lifelike auditory experiences suitable for both headphone and loudspeaker playback. Utilizing HRTF-based binaural synthesis and acoustic environment modeling technology, Panorama authentically replicates 3D sound propagation within physical spaces.\u003c\/p\u003e\n\u003cp\u003ePanorama has many possible uses, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3D Audio Production:\u003c\/strong\u003e Insert Panorama on each track in a mix, and use Panorama to pan the individual sounds around in the virtual space. This works best for headphone mixes (think of the possibilities for podcasting), but the same concept can be used for loudspeaker playback. You can use the sequencer to set up motion trajectories for the sources, or simply automate them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Panning Effects:\u003c\/strong\u003e In conventional stereo mixes, sometimes you have a sound you want to treat specially. By applying 3D processing, Panorama can be used to create a panning effect that stands out from conventional power panning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo \"Auto-Pan\" Effects:\u003c\/strong\u003e Panorama can work as a conventional stereo panner, and it has a powerful sequencer to automate pan positions. Hence you can create all sorts of modulating pan effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Widening:\u003c\/strong\u003e Panorama can process stereo mixes to sound very wide when played back over loudspeakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVirtual Monitoring:\u003c\/strong\u003e Panorama can be used to simulate stereo and surround playback for headphone playback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eNEW! Features of Panorama 7 include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe big new feature is the position sequencer, which can be used for trajectory automation and beat-synced musical effects (auto-pan). The sequencer works by panning the sound along a set of trajectory waypoints.\u003c\/li\u003e\n\u003cli\u003eAll new UI look with dark theme.\u003c\/li\u003e\n\u003cli\u003eLarger UI area for panning, now including side and rear view options.\u003c\/li\u003e\n\u003cli\u003eLarger virtual area for panning. Previously Panorama 6 allowed from -10 to +10 feet, Panorama 7 allows from -100 to +100 feet.\u003c\/li\u003e\n\u003cli\u003eZoom in\/out control.\u003c\/li\u003e\n\u003cli\u003eSupport for SOFA format HRIRs. SOFA (Spatially Oriented Format for Acoustics) is a standard file format used for interchange of head-related impulse responses. Support for SOFA data is provided via a conversion application called Sofa2Pan that converts from SOFA format to Panorama format.\u003c\/li\u003e\n\u003cli\u003eImproved support for third-party HRIRs: HRIRs are specified by filename and are sample rate converted to the session rate when loaded.\u003c\/li\u003e\n\u003cli\u003eImplemented “Near Head Model”. This improves reproduction accuracy for positions close to head by applying additional head shadowing based on a spherical head model.\u003c\/li\u003e\n\u003cli\u003eAdded “Stereo Pan” HRIR to implement traditional stereo panning.\u003c\/li\u003e\n\u003cli\u003eAdded “Stereo Passthru” HRIR to implement proper binaural to loudspeaker conversion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eThinkEDU Exclusive Freebie!\u003c\/strong\u003e Includes \u003cstrong\u003eAvid Pro Tools Studio 1-Year Subscription\u003c\/strong\u003e for Students \u0026amp; Teachers (Download) (A $299 Value) at NO Charge.\u003cbr\u003ePro Tools Studio is the core of a complete music production system, providing the creative canvas to produce larger, more compelling music with ease. Get the advanced features and workflows music professionals need to take projects further, including the ability to work with up to 512 audio tracks, plus surround and immersive audio mixing capabilities.\u003c\/p\u003e","brand":"Xchangemarket","offers":[{"title":"Default Title","offer_id":46238393565470,"sku":"1035-4091_1143-309","price":399.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0800\/4435\/9966\/files\/waveartspowersuite7withfreeavidprotools.png?v=1772134714"},{"product_id":"wave-arts-tube-saturator-2-download","title":"Wave Arts Tube Saturator 2 (Download)","description":"Tube Saturator 2 is a super accurate circuit simulation of a tube pre-amp with analog EQ, which can be overdriven gently for warming effects, or cranked for fat distortion. Like its predecessor, Tube Saturator, TS-2 is based on circuit simulation technology to capture every nuance of an analog circuit. The circuit consisting of the individual tubes, resistors, and capacitors is converted into a mathematical system of equations which is numerically solved to produce the exact same sound as a real circuit. But while the original consumed large amounts of CPU power, TS-2 is now super efficient. The Saturation section of TS-2 runs about 7x faster than the original and yet the modelling is even more accurate. TS-2 includes the original circuit simulation of the three band Baxandall type EQ as found  in many guitar amplifiers.\u003cp\u003eIn addition to this breakthrough improvement in speed, TS-2 has many  new features. You can switch between 12AX7 and 12AU7 tubes for different harmonic characteristics.  The EQ can be switched to run pre or post saturation. Saturation and EQ are separately switchable. Also there is a 2x oversampling mode using a very high quality resampler algorithm. Use 2x mode to attenuate aliased distortion harmonics. Also new is a mix control to blend the processed sound with the original. And  finally, TS-2 has a gorgeous new interface.\n\u003c\/p\u003e\n\u003cp\u003e\nTech Specs:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate tube preamp simulator using circuit simulation technology\u003c\/li\u003e\n\u003cli\u003eTwo common cathode preamp stages\u003c\/li\u003e\n\u003cli\u003e12AX7 and 12AU7 tube models\u003c\/li\u003e\n\u003cli\u003eDrive control for distortion adjustment\u003c\/li\u003e\n\u003cli\u003eBaxandall 3-band analog EQ\u003c\/li\u003e\n\u003cli\u003eSaturation and EQ bypass switches\u003c\/li\u003e\n\u003cli\u003eHigh quality 2X oversampling mode\u003c\/li\u003e\n\u003cli\u003eWet\/dry mix control\u003c\/li\u003e\n\u003cli\u003eAnalog style metering\u003c\/li\u003e\n\u003cli\u003eNo latency\u003c\/li\u003e\n\u003cli\u003eUp to 192 kHz sampling rate\u003c\/li\u003e\n\u003cli\u003eMono or stereo \t\t\t\t\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Xchangemarket","offers":[{"title":"Default Title","offer_id":46238394745118,"sku":"1035-501-X","price":79.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0800\/4435\/9966\/products\/tubesat2_l.jpg?v=1692306554"}],"url":"https:\/\/thinkedu.com\/collections\/brands-all-other-brands-wave-arts\/special-offers-free-item-with-purchase.oembed","provider":"ThinkEDU","version":"1.0","type":"link"}